And give you the tools you need to play your best.
Whether you're a professional musician seeking a position in a bigger orchestra, a college student taking their first audition, or a cellist looking to improve your performance skills, Audition Confidential can help you reach your goals.
My name is Gloria Lum and I have over 25 years of experience playing with and sitting on the Audition Committee at the Los Angeles Philharmonic.
Preparing for auditions isn’t rocket science, but it is a highly specific, difficult challenge. I see many students wasting time working on the wrong things, having no idea what the committee is really looking for.
In groups and in one-on-one sessions, I help cellists with practice strategy, repertoire knowledge, and mindset techniques.
While I can’t guarantee you’ll win your very next audition, I will help you feel more confident and satisfied with your preparation and your increasing artistry.
I cover basic repertoire, practice skills, and mental preparation in my group programs.
Are you working towards a specific audition? I can help you prepare in record time.
“I wanted to find accountability, expertise, and camaraderie in my audition preparation, and Audition Confidential programs have all three. Gloria has such a wealth of knowledge — not just about practical fingerings and bowings for orchestral excerpts, but also about what it takes to maintain a full and fulfilling career as an orchestral cellist. Lessons with her were always hopeful and inspiring.”
Evan Kahn, Principal Cellist
San Francisco Opera Orchestra
New Century Chamber Orchestra
Opera San Jose
Symphony Silicon Valley
San Jose Chamber Orchestra
How would it feel to show up for your next performance or audition knowing you’re finally prepared for the challenge?
“When I found out about Gloria’s program, I knew that it was perfect for me. With each week, I found myself practicing with more intention, thinking about what I was doing in the moment, and immediately getting better results. We discussed styles, characterizations, bowing, and sound production.
I thought I had a handle on these things before we began work, but I didn’t realize how much more I could be doing with Gloria’s insight and coaching.”
